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home·artworks·Incoming Tide, Scarboro Maine
Incoming Tide, Scarboro Maine by Winslow Homer

plate no. 5854

Incoming Tide, Scarboro Maine

Winslow Homer, 1883

watercolor, paperRealismmarinaoceanwavesrocksskycoastlinewater
some experience helpful

Recreating this painting will help students develop skills in layering transparent washes and capturing dynamic movement with loose brushstrokes. It also provides practice in observing and simplifying complex natural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: horizon line, large rock formations, and the wave's general outline.

  2. step 02

    Apply a light wash of diluted blue and gray to the sky, allowing it to blend and create soft cloud effects.

  3. step 03

    Paint the ocean with varying shades of blue and green, using horizontal strokes to suggest the water's movement.

  4. step 04

    Add the breaking wave with white and light blue washes, leaving some areas of the paper untouched for highlights.

  5. step 05

    Layer browns, reds, and grays for the rocks, using dry brush techniques to create texture.

  6. step 06

    Define the shadows and details on the rocks and waves with darker washes.

  7. step 07

    Add small details like splashes and foam with a fine brush.

  8. step 08

    Evaluate and adjust values and colors to achieve the desired mood and depth.

color palette

primary · ultramarine blue · burnt sienna · raw umber

secondary · titanium white · payne's gray · yellow ochre

Mix blues and grays for the sky and ocean. Use burnt sienna and raw umber for the rocks, adjusting the mixture with white and blue to create variations in tone and temperature.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·lifting color
  • ·glazing

common pitfalls

  • →Overworking the details and losing the freshness of the watercolor.
  • →Using colors straight from the tube without mixing.
  • →Creating mud by over-layering colors.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·masking fluid

optional

  • ·palette knife
  • ·sponge
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes and techniques to achieve varied textures.

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watercolor techniques →how to learn by studying the masters →
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