apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In winter
In winter by Daniel Ridgway Knight

plate no. 4006

In winter

Daniel Ridgway Knight, 1880

oil, canvasRealismgenre paintingfigureswinterlandscapesnowtreesrural
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering realistic figures in a landscape setting. It provides practice in mixing subtle color variations to represent snow and overcast skies.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the horizon line.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with diluted paint.

  3. step 03

    Begin painting the sky, blending the colors to create a soft, overcast effect.

  4. step 04

    Paint the distant trees and landscape elements, using lighter values and less detail to create atmospheric perspective.

  5. step 05

    Block in the figures with basic shapes and colors, focusing on their proportions and poses.

  6. step 06

    Refine the details of the figures, including their clothing, faces, and hands.

  7. step 07

    Add the snow on the ground, using a variety of brushstrokes to create texture and depth.

  8. step 08

    Add final details, such as the milk cans, baskets, and small branches.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix white with small amounts of raw umber and blue for the sky and snow. Use burnt sienna and raw umber for the figures' clothing and the landscape. Add touches of crimson and yellow ochre for warmth.

techniques

  • ·atmospheric perspective
  • ·figure painting
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and distance.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle value changes in the snow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy