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home·artworks·In Thought
In Thought by Hans Andersen Brendekilde

plate no. 9882

In Thought

Hans Andersen Brendekilde, 1906

oilRealismgenre paintingfigurelandscapewaterbuildingsfoliagesky
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering realistic textures in foliage and clothing. They will also learn how to create a sense of depth through layering and color variation.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, buildings, and horizon line.

  2. step 02

    Block in the large areas of color, such as the sky, water, and land, using thin washes.

  3. step 03

    Establish the values and forms of the figure, paying attention to the light and shadow.

  4. step 04

    Develop the details of the foliage, using a variety of brushstrokes and colors to create texture and depth.

  5. step 05

    Add details to the buildings, focusing on their shapes and proportions.

  6. step 06

    Refine the sky and water, adding subtle variations in color and value.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use white to lighten colors and create highlights. Mix browns by combining burnt umber with small amounts of blue or red.

techniques

  • ·blocking in
  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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