apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In the Vicinity of St. Petersburg
In the Vicinity of St. Petersburg by Fyodor Vasilyev

plate no. 8830

In the Vicinity of St. Petersburg

Fyodor Vasilyev, 1868

oilRealismlandscapetreeslandscapebuildinghillsskyfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic foliage with varied brushstrokes. Students will also practice creating depth through layering and color temperature.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the trees and shed.

  2. step 02

    Establish the sky with a light blue wash, subtly blending in hints of pink and white.

  3. step 03

    Block in the distant hills and water with muted blues and greens, paying attention to atmospheric perspective.

  4. step 04

    Lay in the base colors for the trees, using a mix of greens and browns. Vary the tones to create depth and dimension.

  5. step 05

    Add details to the shed, using browns and grays. Pay attention to the light and shadow on the wooden planks.

  6. step 06

    Develop the foreground with greens, browns, and yellows, creating texture with varied brushstrokes.

  7. step 07

    Add highlights and shadows to the trees and foliage to create a sense of volume and realism.

  8. step 08

    Refine the details, such as the figures and the rocks, and make any necessary adjustments to the overall composition.

color palette

primary · sap green · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · cadmium yellow light

Achieve the muted greens by mixing blues, yellows, and browns. Use white to lighten values and create atmospheric perspective.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using overly saturated colors, which can make the painting look unnatural.
  • →Not varying the brushstrokes enough, resulting in a flat and lifeless appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy