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home·artworks·In the Vicinity of Bordiguera, in the North of Italy
In the Vicinity of Bordiguera, in the North of Italy by Isaac Levitan

plate no. 0437

In the Vicinity of Bordiguera, in the North of Italy

Isaac Levitan, 1890

pastel, paperRealismcityscapebuildingstreeslandscapevillageskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering textures with visible brushstrokes and understanding atmospheric perspective to create depth. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and landscape, focusing on proportions and perspective.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the main color masses for the sky, hills, buildings, and foreground using thin washes.

  4. step 04

    Begin adding details to the buildings, defining the shapes of the stones and windows with thicker paint and visible brushstrokes.

  5. step 05

    Develop the foliage, using a variety of greens and yellows to create depth and texture.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the details in the foreground, adding small plants and textures.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · burnt sienna · cadmium red light · sap green · ultramarine blue

Mix various shades of gray and brown by combining the primary colors. Use white to lighten the colors and create highlights. Mix greens by combining blue and yellow.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating flat, lifeless colors by not mixing enough variations.
  • →Failing to establish a clear focal point.
  • →Incorrect perspective of the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

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