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In the Studio by Marie Bashkirtseff

plate no. 9645

In the Studio

Marie Bashkirtseff, 1881

oil, canvasRealismgenre paintingfiguresinteriorstudioartistspaintingsmodel
experienced study

Recreating this painting will help students develop skills in depicting figures in complex compositions and understanding the interplay of light and shadow within an interior space. It also provides practice in rendering various textures, such as fabric and skin.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and forms using thin washes of color.

  3. step 03

    Begin building up layers of paint, focusing on the areas of light and shadow.

  4. step 04

    Develop the details of the figures, paying attention to their anatomy and expressions.

  5. step 05

    Work on the background elements, such as the paintings and studio equipment.

  6. step 06

    Refine the colors and values to create a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze or varnish the painting for protection and to enhance the colors.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt sienna. Use ultramarine blue and burnt umber to create various shades of black and gray for the clothing and shadows.

techniques

  • ·figure drawing
  • ·layering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to accurately depict the proportions and anatomy of the figures.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying enough attention to the values and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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