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In the Studio by Joseph DeCamp

plate no. 4098

In the Studio

Joseph DeCamp, 1895

oil, canvasRealismgenre paintingfigureportraitartistinteriorchairdress
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering fabric folds with subtle value changes. It also provides practice in capturing realistic skin tones and facial features.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the chair.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: the background, the figures' clothing, and the chair.

  4. step 04

    Begin refining the details of the woman's face and dress, focusing on the subtle shifts in value.

  5. step 05

    Add details to the artist figure, focusing on the dark values of his suit.

  6. step 06

    Work on the background, softening edges and creating a sense of depth.

  7. step 07

    Add highlights to the dress and chair to create a sense of light and form.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · alizarin crimson · purple

Use burnt umber and white to create a range of neutral tones for the background and shadows. Mix yellow ochre, white, and a touch of crimson for the skin tones. Use ultramarine and alizarin crimson to create the purple accents.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and not enough neutral tones.
  • →Ignoring the importance of soft edges.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium

Use a medium-grit canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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