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home·artworks·In the studio. Appraising the day's work
In the studio. Appraising the day's work by Wenzel Tornøe

plate no. 6028

In the studio. Appraising the day's work

Wenzel Tornøe, 1884

oil, canvasRealismgenre paintingfiguresinteriorartisteaselwindowclothing
some experience helpful

Recreating this painting will help students develop skills in rendering figures in light and shadow, as well as creating a sense of depth and atmosphere in an interior scene. It also provides practice in capturing the textures of different materials, such as fabric and wood.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main areas of color, focusing on the overall values and relationships.

  3. step 03

    Develop the light and shadow patterns on the figures and drapery, paying attention to the form.

  4. step 04

    Add details to the faces and hands, capturing the expressions and gestures.

  5. step 05

    Refine the background and surrounding objects, creating a sense of depth and atmosphere.

  6. step 06

    Pay attention to the edges of the forms, softening or hardening them as needed to create a sense of depth.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light · viridian

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to create warm highlights. Viridian can be used sparingly to create cool shadows and subtle greens.

techniques

  • ·underpainting
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of light and shadow.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall value range.

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related guides

oil painting for beginners →how to learn by studying the masters →
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