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home·artworks·In the small dock
In the small dock by Sergey Ryabchenko

plate no. 2667

In the small dock

Sergey Ryabchenko, 1960

linocut, paperRealismmarinaboatsdockswaterbuildingscranesfigures
some experience helpful

Recreating this linocut-style painting will help students understand layering of colors and creating depth through simplified shapes and values. It also provides practice in capturing reflections in water.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the main shapes of the boats, buildings, and water line.

  2. step 02

    Block in the sky with a light, neutral color.

  3. step 03

    Apply the darkest values to the boats and reflections, focusing on the overall shapes.

  4. step 04

    Add the mid-tone colors to the buildings and water, creating subtle variations.

  5. step 05

    Define the details of the boats and buildings with darker lines and shapes.

  6. step 06

    Add the smoke and highlights using white or a very light gray.

  7. step 07

    Refine the reflections in the water, paying attention to the distortion and color variations.

color palette

primary · black · burnt sienna · gray

secondary · light green · white

Mix the gray by combining black and white. Add small amounts of burnt sienna to the gray for warmer tones. The light green for the water can be achieved by mixing gray with a touch of green.

techniques

  • ·flat color application
  • ·layering
  • ·creating reflections
  • ·simplified shapes

common pitfalls

  • →overworking the details
  • →making the reflections too symmetrical
  • →using too many colors
  • →not establishing a clear value structure

materials

surface · stretched canvas

required

  • ·canvas or paper
  • ·acrylic or oil paints
  • ·flat brushes
  • ·palette
  • ·water or solvent
  • ·pencil

optional

  • ·palette knife
  • ·medium (for oils)
  • ·easel

Using a limited palette will help to achieve the muted tones of the original painting. Consider using a toned canvas for a head start on the background color.

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