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home·artworks·In the sewing room
In the sewing room by Wenzel Tornøe

plate no. 9644

In the sewing room

Wenzel Tornøe, 1885

oil, canvasRealismgenre paintingfigureinteriorclothingshadowstableyarn
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and creating depth through the use of chiaroscuro. It also provides practice in depicting textures of different fabrics and materials.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and key objects.

  2. step 02

    Establish the dark background and shadow areas with a thin wash of dark brown.

  3. step 03

    Block in the main colors of the figure's clothing and skin, paying attention to the light source.

  4. step 04

    Develop the details of the face, using subtle color variations to create form.

  5. step 05

    Paint the textures of the fabrics, using varied brushstrokes and highlights.

  6. step 06

    Add details to the background elements, such as the hanging clothes and the picture frame.

  7. step 07

    Refine the shadows and highlights to enhance the sense of depth and realism.

  8. step 08

    Add final details like the yarn and sewing tools.

color palette

primary · burnt umber · ultramarine blue · titanium white · cadmium red

secondary · yellow ochre · raw sienna · ivory black

Mix burnt umber and ultramarine blue for the dark background and shadows. Use cadmium red and white for the skin tones, adding yellow ochre for warmth. Mix white with a touch of ultramarine for the light parts of the clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, ultramarine blue, titanium white, cadmium red, yellow ochre, raw sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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