apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·In the Rice Field
In the Rice Field by Basuki Abdullah

plate no. 2937

In the Rice Field

Basuki Abdullah

oilRealismgenre paintingfiguresrice fieldtreesbuildinglandscapesky
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective. Students will also learn to create texture using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, building, and trees.

  2. step 02

    Block in the main color areas: sky, trees, field, and figures.

  3. step 03

    Develop the sky with subtle variations of blue and white.

  4. step 04

    Add details to the trees, using darker greens and browns for shadows and lighter greens and yellows for highlights.

  5. step 05

    Refine the figures, paying attention to their proportions and clothing details.

  6. step 06

    Add details to the building, including the roof and doorway.

  7. step 07

    Create texture in the rice field using short, broken brushstrokes.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · viridian green · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix greens by combining viridian green and yellow ochre. Achieve skin tones by mixing burnt sienna, white, and a touch of alizarin crimson. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the freshness of the brushstrokes.
  • →Incorrectly proportioning the figures.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy