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home·artworks·In the park
In the park by Isaac Levitan

plate no. 7735

In the park

Isaac Levitan, 1895

oilRealismlandscapetreesforestlandscapefoliagelightshadow
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using brushstrokes to suggest texture. It's also a great exercise in understanding light and shadow in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees and the horizon line.

  2. step 02

    Establish the darkest and lightest areas to define the value structure.

  3. step 03

    Block in the general colors of the foliage and ground using thin washes.

  4. step 04

    Begin layering greens and browns to create variations in the foliage.

  5. step 05

    Add details to the tree trunks, paying attention to the direction of light.

  6. step 06

    Use short, broken brushstrokes to suggest the texture of the grass and leaves.

  7. step 07

    Refine the highlights and shadows to create a sense of depth.

  8. step 08

    Add final details, such as small branches and highlights on the leaves.

color palette

primary · sap green · burnt umber · yellow ochre

secondary · titanium white · raw sienna · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue with varying amounts of white. Use burnt umber and raw sienna to create the browns for the tree trunks and shadows.

techniques

  • ·layering
  • ·broken brushstrokes
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →overblending
  • →using too much detail too early
  • →ignoring the value structure
  • →not varying the greens enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil (if using oils)
  • ·palette knife

optional

  • ·easel
  • ·painting medium
  • ·rags
  • ·odorless mineral spirits (for oil paint cleanup)

Use a medium-textured canvas to allow for better paint adhesion. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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