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home·artworks·In the Omnibus
In the Omnibus by Honore Daumier

plate no. 0055

In the Omnibus

Honore Daumier, 1864

crayon, ink, watercolor, paperRealismgenre paintingfiguresinteriorcarriagepassengersurban scene
some experience helpful

Recreating this painting will help students develop skills in figure drawing, capturing expressions, and using a limited palette to create depth and atmosphere. It also encourages observation of everyday life and translating it into art.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement and proportions of the figures.

  2. step 02

    Define the main shapes of each figure with loose lines, paying attention to their posture and clothing.

  3. step 03

    Begin adding shading with light washes of diluted brown or gray watercolor, establishing the basic values.

  4. step 04

    Use ink or crayon to add darker lines and details, defining the contours and features of the figures.

  5. step 05

    Introduce subtle color washes to add warmth and depth to the skin tones and clothing.

  6. step 06

    Pay attention to the light source and create highlights and shadows to give the figures volume.

  7. step 07

    Add details to the background, such as the windows and advertisements, using a similar technique of light washes and darker lines.

  8. step 08

    Refine the details and add final touches, such as highlights in the eyes and subtle textures in the clothing.

color palette

primary · raw umber · ivory black · titanium white

secondary · burnt sienna · cadmium red light

Mix raw umber and ivory black with varying amounts of water for different shades of gray. Use burnt sienna to add warmth to skin tones and clothing. A touch of cadmium red can be used for accents like the ribbon.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·watercolor washes
  • ·contour drawing

common pitfalls

  • →Overworking the details and losing the spontaneity of the original.
  • →Using too much color and creating a painting that is too vibrant.
  • →Failing to capture the expressions and personalities of the figures.
  • →Ignoring the light source and creating flat, lifeless figures.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints (raw umber, ivory black, burnt sienna, cadmium red light, titanium white)
  • ·Round watercolor brushes (sizes 2, 6, 10)
  • ·India ink
  • ·Crayon (black or brown)
  • ·Palette
  • ·Water container
  • ·Paper towels

optional

  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use a smooth watercolor paper for best results. Experiment with different brands of watercolor paints to find the ones you prefer.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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