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home·artworks·In the Garden, Charteves close to Mont-Saint-Père
In the Garden, Charteves close to Mont-Saint-Père by Léon Augustin Lhermitte

plate no. 7132

In the Garden, Charteves close to Mont-Saint-Père

Léon Augustin Lhermitte

oilRealismgenre paintingfiguresgardenbuildingstreesvegetationlandscape
some experience helpful

Recreating this painting will help students develop skills in depicting figures within a landscape and understanding atmospheric perspective through color and value variations. It also provides practice in capturing textures using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: figures, buildings, fence, and path.

  2. step 02

    Establish the basic color blocks for the sky, background trees, and foreground garden.

  3. step 03

    Begin defining the figures with general shapes and values, paying attention to proportions.

  4. step 04

    Develop the background buildings and trees, using lighter values and softer edges to create depth.

  5. step 05

    Add details to the garden, including the plants, fence, and path, using varied brushstrokes.

  6. step 06

    Refine the figures with more accurate details, including clothing folds and facial features.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and atmosphere.

  8. step 08

    Add final highlights and details to enhance the realism and visual interest.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix various shades of brown and green by combining burnt umber, yellow ochre, ultramarine blue, and white. Use alizarin crimson and cadmium yellow to create warm highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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