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home·artworks·In tailoring (Embroiderers)
In tailoring (Embroiderers) by Giacomo Favretto

plate no. 5939

In tailoring (Embroiderers)

Giacomo Favretto, 1878

oil, canvasRealismgenre paintingfiguresinteriorclothingsewingwomenworkshop
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex interior setting and capturing the textures of various fabrics using broken color techniques.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures and objects.

  2. step 02

    Block in the large shapes and areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background elements, paying attention to the subtle variations in tone and texture.

  4. step 04

    Refine the figures, gradually adding details and defining their forms with light and shadow.

  5. step 05

    Work on the clothing and fabrics, using broken color and varied brushstrokes to create texture and visual interest.

  6. step 06

    Pay close attention to the relationships between the figures and their environment, ensuring that they are integrated into the scene.

  7. step 07

    Add final details and highlights to enhance the realism and depth of the painting.

  8. step 08

    Step back and review the overall composition, making any necessary adjustments to ensure a cohesive and balanced final result.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing earth tones with small amounts of blues, reds, and yellows. Use white to lighten values and create subtle color variations.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to establish a strong value structure, leading to a flat and unconvincing composition.
  • →Neglecting the relationships between the figures and their environment, creating a disjointed and unrealistic scene.
  • →Using colors straight from the tube without mixing, resulting in a harsh and unnatural palette.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel
  • ·easel

Use a medium-tooth canvas to allow for texture. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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