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home·artworks·In Prague
In Prague by Dobri Dobrev

plate no. 2486

In Prague

Dobri Dobrev, 1924

oilRealismcityscapebuildingscityscapearchitectureskytowersroofs
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value shifts. They will also practice rendering architectural details with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings.

  2. step 02

    Establish the overall value structure with a thin wash of diluted burnt umber.

  3. step 03

    Block in the sky with a mix of white, grey, and a touch of yellow ochre.

  4. step 04

    Begin painting the buildings, starting with the largest shapes and darkest values.

  5. step 05

    Gradually add details, such as windows, arches, and roof tiles, using smaller brushes.

  6. step 06

    Mix and apply the roof colors, focusing on variations in hue and value.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final touches, such as the street lamp and any other small details.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · raw sienna · cadmium red light · ivory black

Achieve the various earth tones by mixing burnt umber with white, yellow ochre, and small amounts of red or black. Use white and yellow ochre to create the sky, adding small amounts of umber or black to control the value.

techniques

  • ·atmospheric perspective
  • ·value studies
  • ·simplified brushstrokes
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated or bright.
  • →Neglecting the importance of value contrast in creating depth.
  • →Not establishing a strong foundation with the initial sketch and value study.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw sienna oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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