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home·artworks·In front of the Doge's Palace
In front of the Doge's Palace by Alessandro Zezzos

plate no. 7277

In front of the Doge's Palace

Alessandro Zezzos, 1892

oil, canvasRealismgenre paintingfiguresarchitecturewaterskybirdscityscape
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and creating atmospheric perspective. It also provides practice in capturing the subtle nuances of light and shadow in an outdoor setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and placement of major elements.

  2. step 02

    Block in the large shapes of the buildings, water, and sky using thin washes of color.

  3. step 03

    Establish the main figures, focusing on their poses and relationships to each other.

  4. step 04

    Add details to the architecture, such as windows and decorative elements.

  5. step 05

    Develop the atmospheric perspective by gradually softening the edges and lightening the colors of distant objects.

  6. step 06

    Refine the figures with more detail, paying attention to clothing and facial features.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Include final details like birds and reflections in the water.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to create warm highlights and reflections.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Using colors that are too saturated
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 filbert brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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