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home·artworks·In der Küche (Küche in Kutterling)
In der Küche (Küche in Kutterling) by Wilhelm Leibl

plate no. 1331

In der Küche (Küche in Kutterling)

Wilhelm Leibl, 1898

oilRealismgenre paintingfiguresinteriorkitchenwindowstoolsbucket
some experience helpful

This painting provides an opportunity to practice capturing light and shadow in a dimly lit interior and rendering figures with loose, expressive brushstrokes. Students can also develop skills in creating a sense of depth and atmosphere through value and color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on establishing the dark areas first, gradually building up the lighter areas.

  4. step 04

    Use thicker paint and visible brushstrokes to define the figures and objects in the foreground.

  5. step 05

    Pay attention to the direction of light and how it affects the forms.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add details to the faces and hands to bring the figures to life.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Achieve the dark, muted tones by mixing burnt umber and ivory black. Use white to create lighter values and add warmth with yellow ochre and a touch of cadmium red.

techniques

  • ·chiaroscuro
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of edges and blending.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a toned canvas to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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