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home·artworks·In church
In church by Luigi Da Rios

plate no. 1348

In church

Luigi Da Rios, 1883

pencil, watercolorRealismgenre paintingfigureschurch interiorclothingbookrosaryarchitecture
some experience helpful

Recreating this painting will help students develop skills in portraiture, rendering fabric textures, and creating a sense of depth through subtle value changes. It also provides practice in capturing realistic skin tones and facial expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light pencil sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the overall color scheme by applying thin washes of watercolor to the background and clothing.

  3. step 03

    Begin building up the skin tones of the figures, layering colors to create depth and realism.

  4. step 04

    Focus on capturing the details of the faces, paying attention to the subtle shadows and highlights.

  5. step 05

    Render the fabric textures of the clothing, using dry brush techniques to create a sense of realism.

  6. step 06

    Add details to the book and rosary, using fine brushes to capture the intricate details.

  7. step 07

    Refine the architectural elements of the church interior, paying attention to the perspective and lighting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · alizarin crimson · raw umber · payne's gray

Mix yellow ochre and burnt sienna for warm skin tones. Use ultramarine blue and raw umber for the blue shawl. Add alizarin crimson to burnt sienna for the book cover.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·portraiture

common pitfalls

  • →overworking the details
  • →muddying the colors
  • →inaccurate proportions
  • →flat skin tones

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (various sizes)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paints for best results. Consider using a larger sheet of watercolor paper to allow for more detail.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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