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home·artworks·In a lesson of credence with the sexton
In a lesson of credence with the sexton by Ivan Vladimirov

plate no. 5247

In a lesson of credence with the sexton

Ivan Vladimirov, 1913

oilRealismgenre paintingfiguresinteriortablechildrenreligious figureroom
some experience helpful

This painting provides practice in depicting figures in a dimly lit interior and capturing subtle variations in skin tones and fabric textures. Students will learn to create a sense of depth and atmosphere using value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas.

  3. step 03

    Begin layering in the mid-tones, focusing on the warm and cool color relationships.

  4. step 04

    Develop the details of the faces and clothing, using smaller brushes.

  5. step 05

    Add highlights to create a sense of light and form.

  6. step 06

    Refine the edges and details, paying attention to the overall harmony of the painting.

  7. step 07

    Glaze thin layers of color to adjust the values and create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · titanium white · ultramarine blue

Mix raw umber and ivory black for dark shadows. Use burnt sienna and yellow ochre for warm highlights. Add small amounts of ultramarine blue to cool down the browns.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall value structure.

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