apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Immaculate Virgin Victorious over the Serpent of Heresy
Immaculate Virgin Victorious over the Serpent of Heresy by Basilio Santa Cruz Pumacallao

plate no. 2846

Immaculate Virgin Victorious over the Serpent of Heresy

Basilio Santa Cruz Pumacallao, 1690

canvas, oilBaroquereligious paintingfigureangelsreligiouscloudscrowndevil
experienced study

Recreating this painting will help students develop skills in figure painting, rendering drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in detailed ornamentation and symbolic representation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figure and the surrounding angels, paying attention to proportions and placement.

  2. step 02

    Establish the basic background colors, blending the sky and clouds.

  3. step 03

    Block in the main colors of the Virgin's robes and the angels' bodies.

  4. step 04

    Begin layering values to create form and dimension in the figures.

  5. step 05

    Add details to the Virgin's face, hands, and crown.

  6. step 06

    Render the drapery folds and shadows in the robes.

  7. step 07

    Paint the details of the angels, including their wings and instruments.

  8. step 08

    Add the final details, such as the stars on the Virgin's robe, the inscriptions, and the serpent.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · cadmium red · ivory black · gold

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Create the blue robe by mixing ultramarine blue with white for highlights and adding burnt umber for shadows. Mix gold with yellow ochre and a touch of brown.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not achieving the right skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne