apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Image merchant (study for the painting)
Image merchant (study for the painting) by Alexandre Antigna

plate no. 0450

Image merchant (study for the painting)

Alexandre Antigna, 1862

oilRealismgenre paintingfigurescrowdmerchantlandscapetreesclothing
some experience helpful

Recreating this painting will help students develop skills in capturing figures in a crowd and using a limited palette to create a sense of atmosphere. It also provides practice in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and their relative positions on the canvas.

  2. step 02

    Block in the background landscape with diluted washes of brown and blue.

  3. step 03

    Establish the main light source and begin to define the shadows on the figures.

  4. step 04

    Start adding details to the merchant figure, focusing on the face and hands.

  5. step 05

    Develop the figures in the crowd, paying attention to their individual expressions and clothing.

  6. step 06

    Refine the background details, adding subtle variations in color and texture.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Review the painting and make any necessary adjustments to the composition or color balance.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre

Use white to create tints of the browns and blues. Mix small amounts of blue with brown to create shadows. Yellow ochre can be used to warm up the browns.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·limited palette
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ultramarine blue, yellow ochre)
  • ·palette
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·painting medium
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy