
plate no. 2102
Elin Danielson-Gambogi, 1891
This painting offers practice in rendering soft light and shadow, as well as capturing the subtle nuances of skin tones and fabric folds. Students can also learn to create a sense of depth and atmosphere through color and brushwork.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figures and key elements.
Establish the overall color scheme by blocking in the main areas of color, such as the walls, clothing, and background.
Begin to refine the forms of the figures, paying attention to the light and shadow.
Develop the details of the faces, hands, and clothing, using smaller brushes and more precise strokes.
Add the details of the plants and other objects in the background.
Adjust the values and colors to create a sense of depth and atmosphere.
Add final highlights and details to complete the painting.
Step back and make any necessary adjustments to the overall composition and color balance.
color palette
primary · titanium white · raw umber · yellow ochre
secondary · ultramarine blue · burnt sienna · cadmium yellow
Mix white with small amounts of raw umber and yellow ochre to create the skin tones. Use ultramarine blue and burnt sienna to create the grays and blues in the background. Add small amounts of cadmium yellow to the white to create the highlights on the clothing.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Use odorless mineral spirits instead of turpentine for safety.
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