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home·artworks·Iconographer Atanas Kavrakov
Iconographer Atanas Kavrakov by Dobri Dobrev

plate no. 4494

Iconographer Atanas Kavrakov

Dobri Dobrev, 1941

oilRealismportraitportraitfigureartistpaintingpalettesketch
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding how to depict depth and form through value and color.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and background elements.

  2. step 02

    Establish the background with thin washes of warm and cool neutral tones, suggesting the figures behind.

  3. step 03

    Block in the main shapes of the figure with mid-tone values, paying attention to the overall form.

  4. step 04

    Begin building up the skin tones with layers of color, focusing on highlights and shadows.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Paint the clothing and palette, using darker values for the vest and lighter values for the shirt.

  7. step 07

    Add final details such as the brush, the paint on the palette, and any subtle highlights.

  8. step 08

    Adjust values and colors as needed to create a cohesive and realistic painting.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · ivory black

Skin tones are achieved by mixing raw umber, white, and small amounts of burnt sienna and yellow ochre. Blue is used to cool down shadows and create depth.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·color mixing
  • ·layering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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