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home·artworks·Icon The Nativity of Virgin Mary (fragment)
Icon The Nativity of Virgin Mary (fragment) by Yov Kondzelevych

plate no. 9733

Icon The Nativity of Virgin Mary (fragment)

Yov Kondzelevych

oilBaroquereligious paintingfiguresreligious sceneinteriorhalobabyclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in capturing the expressions and interactions between figures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the figures.

  2. step 02

    Block in the major shapes and forms with thin washes of color, focusing on the overall value structure.

  3. step 03

    Gradually build up the details of the figures, paying attention to the folds and shadows in the drapery.

  4. step 04

    Refine the facial features and expressions of the figures, using small brushes and subtle color variations.

  5. step 05

    Add the halos and other symbolic elements, using gold or yellow paint.

  6. step 06

    Work on the background elements, such as the architecture and furniture, using a limited palette.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Mix red ochre and raw umber to create the base tones for the skin and clothing. Use titanium white to lighten these tones and create highlights. Add yellow ochre to warm up the skin tones and create a sense of luminosity.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Incorrect proportions of the figures
  • →Overworking the details
  • →Failing to establish a clear value structure
  • →Using too much detail in the background
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red ochre, raw umber, ivory black, titanium white, yellow ochre, burnt sienna)
  • ·Assorted brushes (small round, medium flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base for the painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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