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home·artworks·Ice on the moat entertainment
Ice on the moat entertainment by Esaias van de Velde

plate no. 5780

Ice on the moat entertainment

Esaias van de Velde, 1618

oilBaroquegenre paintingfiguresicebuildingsskywaterlandscape
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective to create depth. It also provides practice in rendering textures like brick and ice.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horizon line.

  2. step 02

    Block in the sky with a light blue-gray wash, adding a suggestion of clouds.

  3. step 03

    Establish the main shapes of the buildings with a mixture of burnt sienna and umber, varying the tones to suggest light and shadow.

  4. step 04

    Paint the ice surface with a cool gray, reflecting the sky and buildings. Use horizontal strokes to suggest the flatness of the ice.

  5. step 05

    Add the figures, starting with the larger ones in the foreground and gradually decreasing in size towards the background.

  6. step 06

    Develop the details of the buildings, adding windows, textures, and architectural features.

  7. step 07

    Refine the figures, adding clothing details and suggesting movement.

  8. step 08

    Add final details such as birds in the sky and reflections in the ice.

color palette

primary · burnt sienna · raw umber · titanium white · Prussian blue

secondary · yellow ochre · ivory black · cadmium red light

Mix various shades of brown and gray by combining burnt sienna, raw umber, and white. Use Prussian blue and white to create the sky and ice tones. Add small amounts of yellow ochre and cadmium red to warm up the browns.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the figures too uniform in size and shape.
  • →Using colors that are too saturated, resulting in a less realistic depiction.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt sienna, raw umber, titanium white, Prussian blue)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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