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home·artworks·I. V. Dzhugashvili (Stalin) in custody
I. V. Dzhugashvili (Stalin) in custody by Ivan Vladimirov

plate no. 5064

I. V. Dzhugashvili (Stalin) in custody

Ivan Vladimirov, 1935

oilRealismgenre paintingfiguresbuildingsprisonsnowyardfort
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective. It also provides practice in rendering textures and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the horizon line and the basic layout of the buildings and figures.

  3. step 03

    Apply a thin wash of diluted raw umber or burnt sienna to the entire canvas to create a warm undertone.

  4. step 04

    Begin blocking in the main areas of color, starting with the sky and the ground.

  5. step 05

    Gradually build up the values, adding darker tones to the shadows and lighter tones to the highlights.

  6. step 06

    Add details to the figures, such as clothing folds and facial features.

  7. step 07

    Refine the textures of the buildings and the ground using dry brush techniques.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · Prussian blue · yellow ochre

Mix raw umber and white for the lighter tones of the buildings and figures. Use burnt sienna and a touch of Prussian blue for the darker shadows. Add a touch of yellow ochre to the raw umber for the bread.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·value study
  • ·figure drawing
  • ·wash technique

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a clear value structure.
  • →Ignoring the principles of perspective.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother application.

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related guides

oil painting for beginners →how to learn by studying the masters →
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