apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·I Santi Erasmo E Marciano
I Santi Erasmo E Marciano by Sebastiano Conca

plate no. 5663

I Santi Erasmo E Marciano

Sebastiano Conca

oilBaroquereligious paintingfiguresrobescherubscityscapereligiouslandscape
experienced study

Recreating this painting will help students develop skills in rendering drapery, creating atmospheric perspective in the background, and capturing the subtle gradations of skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the cityscape in the background.

  2. step 02

    Establish the basic color blocks for the robes, skin tones, and background elements.

  3. step 03

    Start layering in the mid-tones and shadows, paying attention to the folds and drapery of the robes.

  4. step 04

    Refine the facial features and add details to the figures, including the cherubs.

  5. step 05

    Work on the background, creating depth and atmospheric perspective in the cityscape.

  6. step 06

    Add highlights to the figures and robes to create a sense of volume and light.

  7. step 07

    Blend the edges of the forms to create a soft, painterly effect.

  8. step 08

    Add final details and glazes to enhance the colors and create a sense of depth.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · yellow ochre · cadmium red light · viridian

Mix various shades of red and brown with white to create the robe colors. Use thin glazes of viridian and yellow ochre to create the atmospheric perspective in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details and losing the overall sense of harmony.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to establish a strong sense of light and shadow.
  • →Not capturing the subtle gradations of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne