apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·I Salongen På Haiko
I Salongen På Haiko by Albert Edelfelt

plate no. 0600

I Salongen På Haiko

Albert Edelfelt

oilRealismgenre paintinginteriorfiguresfurniturepianomirrordomestic scene
experienced study

This painting would teach students atmospheric perspective in interior spaces and the challenge of rendering multiple figures in natural poses within a complex domestic setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
2
compositional simplicity
3

study guide

est. 8 hrs

approach — 9 steps

  1. step 01

    Begin with a light sketch mapping the room's perspective and major furniture pieces

  2. step 02

    Block in the large shapes - walls, piano, figures - with thin paint

  3. step 03

    Establish the warm overall color temperature with a golden ochre underpainting

  4. step 04

    Paint the background elements first - walls, window, mirror reflection

  5. step 05

    Develop the piano and furniture using brown and ochre mixtures

  6. step 06

    Paint the seated figure's dress in warm grays and ochres

  7. step 07

    Add the standing figure in the mirror reflection

  8. step 08

    Refine facial features and hands with careful observation

  9. step 09

    Add final details like the foliage outside the window and surface textures

color palette

primary · raw umber · yellow ochre · titanium white · burnt sienna

secondary · raw sienna · olive green · cadmium yellow light · alizarin crimson

Achieve the warm interior light by mixing yellow ochre into most colors; use raw umber and white for the neutral dress tones

techniques

  • ·alla prima painting
  • ·color temperature control
  • ·atmospheric perspective
  • ·figure integration
  • ·interior lighting

common pitfalls

  • →Making colors too saturated for interior light
  • →Losing the overall warm harmony
  • →Overworking the background details
  • →Making the figures too prominent against the setting

materials

surface · stretched canvas with warm-toned ground

required

  • ·#8 flat brush
  • ·#4 flat brush
  • ·#2 round brush
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·canvas 16x12 inches

optional

  • ·palette knife for mixing
  • ·#6 filbert brush
  • ·odorless mineral spirits
  • ·alkyd medium

A warm gray or ochre ground will help achieve the painting's overall golden interior light

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy