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home·artworks·Hunting Still Life
Hunting Still Life by Jan Weenix

plate no. 5669

Hunting Still Life

Jan Weenix

oilBaroquestill lifegame birdsflowerslandscapestill lifehunting equipmentfoliage
experienced study

Recreating this painting will help students develop skills in rendering textures, particularly fur and feathers, and in creating depth through atmospheric perspective and subtle value shifts. It will also teach complex composition and layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch outlining the main shapes and composition.

  2. step 02

    Establish the background landscape with broad washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the main shapes of the birds and other objects, paying attention to their relative sizes and positions.

  4. step 04

    Begin layering colors and values to create form and depth in the birds and objects.

  5. step 05

    Work on the details of the feathers, fur, and other textures, using small brushes and careful brushstrokes.

  6. step 06

    Add highlights and shadows to create a sense of realism and dimension.

  7. step 07

    Refine the background and foreground, adding details and adjusting values as needed.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre · sap green

Achieve the rich browns and earth tones by mixing burnt umber, raw sienna, and ivory black. Use ultramarine blue and cadmium red to create the deep blues and reds of the bird's head. Mix white with small amounts of other colors for highlights.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·blending

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Inaccurate proportions of the objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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