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home·artworks·Hunter with his dogs
Hunter with his dogs by Jacob Jordaens

plate no. 1124

Hunter with his dogs

Jacob Jordaens, 1635

oilBaroquegenre paintingfiguredogstreeslandscapefoliagesky
experienced study

Recreating this painting will help students develop skills in rendering complex forms with light and shadow, as well as creating depth through atmospheric perspective. It also provides practice in depicting animal anatomy and fur texture.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, dogs, and major landscape elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the areas of light and shadow.

  3. step 03

    Block in the local colors of the figure's clothing, the dogs' fur, and the foliage.

  4. step 04

    Begin refining the forms of the figures and dogs, adding details and highlights.

  5. step 05

    Develop the background landscape, using lighter values and softer edges to create atmospheric perspective.

  6. step 06

    Add details to the trees and foliage, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the highlights and shadows throughout the painting, paying attention to the direction of light.

  8. step 08

    Add final details and glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the warm tones by mixing burnt umber, raw sienna, and cadmium red. Use ultramarine blue to cool down the shadows and create atmospheric perspective.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brush
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not creating enough depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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