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home·artworks·Houses in Lerici
Houses in Lerici by Vincenzo Cabianca

plate no. 2538

Houses in Lerici

Vincenzo Cabianca, 1865

oil, cardboardRealismlandscapebuildingslandscapeseascapeskyhillswater
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited palette to create harmonious color relationships. It also provides practice in creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, hills, and coastline, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with a light blue, blending it slightly towards the horizon.

  3. step 03

    Establish the main color masses for the buildings using a mix of ochre, umber, and white, varying the tones to suggest light and shadow.

  4. step 04

    Paint the distant hills with muted greens and blues to create atmospheric perspective.

  5. step 05

    Add the dark blue of the sea, making it slightly lighter and grayer towards the horizon.

  6. step 06

    Define the stone wall in the foreground with varied ochre and white tones, adding small touches of green.

  7. step 07

    Add details like windows, shadows, and vegetation with small, deliberate brushstrokes.

  8. step 08

    Refine the overall composition and color harmony, adjusting values and edges as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · raw sienna

Achieve the building colors by mixing yellow ochre, burnt umber, and white in varying proportions. Muted greens are created with ultramarine blue and yellow ochre. Use white to lighten and cool colors for the sky and distant hills.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early.
  • →Using colors that are too saturated.
  • →Ignoring the importance of value contrast.
  • →Failing to simplify complex shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brush #4
  • ·flat brush #8
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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