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home·artworks·House of Millet at Barbizon
House of Millet at Barbizon by Johan Hendrik Weissenbruch

plate no. 3758

House of Millet at Barbizon

Johan Hendrik Weissenbruch

oilRealismcityscapestreetbuildingstreesfigureskycarriage
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow and simplifying complex scenes into basic shapes. It also encourages practicing loose, expressive brushwork to create texture and depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trees, and road, paying attention to perspective.

  2. step 02

    Block in the sky with a light blue, leaving some areas for clouds.

  3. step 03

    Establish the basic values of the buildings using a mix of ochre, white, and a touch of burnt umber.

  4. step 04

    Paint the trees using dark greens and browns, varying the shades to create depth.

  5. step 05

    Add the road using a mix of ochre, white, and a touch of burnt sienna, varying the tones to suggest light and shadow.

  6. step 06

    Paint the figure and carriage with quick, loose strokes.

  7. step 07

    Add details like windows, doors, and foliage with smaller brushes.

  8. step 08

    Refine the painting by adjusting values and adding highlights.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · burnt sienna

Mix ochre and white for the buildings, adding small amounts of burnt umber for shadows. Use ultramarine blue and white for the sky. Mix greens from blue and yellow. Use burnt sienna and white for the road.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Not establishing a clear value structure.
  • →Making the colors too saturated.
  • →Ignoring the perspective of the street and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-sized canvas (12x16 or 16x20) for this project. Consider using a toned canvas to help establish the overall color harmony.

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related guides

oil painting for beginners →how to learn by studying the masters →
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