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House by the river by Mikhail Olennikov

plate no. 2296

House by the river

Mikhail Olennikov

oil, cardboardRealismlandscaperiverhousestreesreflectionlily padssky
some experience helpful

Recreating this painting will help students develop skills in capturing reflections in water and using broken color to create texture and depth in foliage. It also provides practice in simplifying complex scenes into manageable shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the horizon line, the houses, the tree masses, and the water's edge.

  2. step 02

    Block in the sky with a thin wash of light blue and gray.

  3. step 03

    Establish the basic colors of the houses and trees, focusing on their overall shapes and values.

  4. step 04

    Paint the water using horizontal strokes, capturing the reflections of the houses and trees with slightly darker and more muted colors.

  5. step 05

    Add details to the trees and foliage using short, broken brushstrokes of various greens, yellows, and browns.

  6. step 06

    Introduce lily pads and other details in the water with small dabs of color.

  7. step 07

    Refine the reflections, paying attention to the distortion and color variations caused by the water's surface.

  8. step 08

    Add final highlights and details to the houses and trees to create depth and interest.

color palette

primary · Prussian blue · Yellow ochre · Titanium white · Burnt umber

secondary · Cadmium red · Sap green · Payne's gray

Mix greens by combining yellow ochre and Prussian blue. Use white to lighten colors and create variations in value. Add a touch of red to browns and greens to create warmer tones.

techniques

  • ·Broken color
  • ·Impasto
  • ·Wet-on-dry layering
  • ·Color mixing
  • ·Capturing reflections

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Making the reflections too literal and symmetrical.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian blue, Yellow ochre, Titanium white, Burnt umber, Cadmium red, Sap green, Payne's gray)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Viewfinder

Use a limited palette to simplify color mixing and create a harmonious painting. Consider toning the canvas with a thin wash of burnt umber before starting.

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oil painting for beginners →how to learn by studying the masters →
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