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home·artworks·«Horse»
«Horse» by Ludwiga Nesterovich

plate no. 0042

«Horse»

Ludwiga Nesterovich, 1996

stoneRealismanimal paintingsculpturehorsestoneanimalfigureportrait
some experience helpful

Recreating this artwork will help students understand how to depict subtle variations in tone and texture to create the illusion of three-dimensionality. It will also improve their ability to observe and replicate complex forms.

technical profile

palette complexity
3
brushwork visibility
1
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall proportions and pose of the horse sculpture.

  2. step 02

    Block in the main shapes of the horse and the surrounding stone, paying attention to the light and shadow.

  3. step 03

    Start layering in the base colors, focusing on the warm yellow tones of the polished stone and the cooler grays of the rougher areas.

  4. step 04

    Gradually build up the details, using small brushstrokes to create the texture of the stone.

  5. step 05

    Pay close attention to the subtle variations in tone and color to create a sense of depth and form.

  6. step 06

    Refine the edges of the sculpture, softening some areas and sharpening others to create visual interest.

  7. step 07

    Add the dark accent for the eye.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the light and shadow are balanced and harmonious.

color palette

primary · yellow ochre · titanium white · raw umber

secondary · payne's gray · burnt sienna

Mix yellow ochre and white for the main body of the horse. Use raw umber and white for the darker areas and shadows. Add a touch of burnt sienna for warmth in some areas. Mix Payne's gray and white for the background.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Failing to accurately capture the proportions of the sculpture.
  • →Overworking the details and losing the overall sense of form.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·painting easel
  • ·medium gloss
  • ·retarder

Use high-quality paints for best results. A medium can help with blending and glazing.

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