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home·artworks·Horse and Rider in a Landscape
Horse and Rider in a Landscape by Homer Watson

plate no. 0385

Horse and Rider in a Landscape

Homer Watson, 1887

oilRealismlandscapelandscapetreeshousehorseriderpath
some experience helpful

Recreating this painting will help students learn how to create atmospheric perspective and use a limited color palette to create a cohesive and moody landscape. It also provides practice in rendering foliage and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the house, trees, and path.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the main color areas: sky, trees, field, and path, using a limited palette.

  4. step 04

    Develop the details of the house, adding shadows and highlights to create form.

  5. step 05

    Refine the foliage of the trees, using a variety of brushstrokes to suggest texture.

  6. step 06

    Add the figure of the horse and rider, keeping it simple and suggestive.

  7. step 07

    Work on the details of the path, adding puddles and variations in color.

  8. step 08

    Adjust the overall values and colors to create a sense of atmosphere and depth.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · viridian · yellow ochre

Achieve the muted greens by mixing viridian with burnt umber and white. Use varying amounts of white to create different values. Create the earth tones by mixing burnt umber, raw sienna, and yellow ochre.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·glazing
  • ·limited palette

common pitfalls

  • →Overworking the details, especially in the foliage.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to establish a clear value structure early on.
  • →Using too many colors, which can create a disjointed effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·viridian oil paint
  • ·yellow ochre oil paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for texture. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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