
plate no. 5551
Antonio Carneiro, 1905
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering skin tones with subtle value changes. It also provides practice in depicting textures and clothing folds.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, hat, and hand.
Establish the overall value structure with a thin wash of burnt umber or similar neutral tone.
Block in the main areas of color, focusing on the shadows and mid-tones.
Refine the skin tones, paying close attention to the subtle variations in color and value.
Add details to the hat, clothing, and pipe, using smaller brushes.
Soften edges and blend transitions where necessary to create a sense of realism.
Add highlights to bring out the form and create a focal point.
Review and adjust the overall composition, making sure the values and colors are balanced.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · ivory black · yellow ochre · cadmium red light
Achieve skin tones by mixing raw sienna, burnt umber, and titanium white, with small amounts of cadmium red light for warmth. Use ivory black and burnt umber for the dark clothing and hat.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a toned canvas to speed up the painting process.
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