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home·artworks·Hill of Jallais at Pontoise
Hill of Jallais at Pontoise by Camille Pissarro

plate no. 8769

Hill of Jallais at Pontoise

Camille Pissarro

oilRealismlandscapelandscapehillsbuildingstreesfigurepath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering colors to create depth. It also offers practice in rendering foliage and simple architectural forms with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line and major shapes.

  2. step 02

    Block in the sky with light blues and whites, creating soft cloud formations.

  3. step 03

    Establish the dark masses of the trees and foliage using dark greens and browns.

  4. step 04

    Paint the distant hills with muted greens and browns, gradually lightening the colors as they approach the foreground.

  5. step 05

    Add the buildings, paying attention to their simple geometric forms and the direction of light.

  6. step 06

    Define the path with warm yellows and browns, suggesting texture with broken brushstrokes.

  7. step 07

    Add the figure, keeping it simple and suggestive.

  8. step 08

    Refine details and adjust values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix greens by combining blues and yellows, and create earth tones by mixing browns with yellows and blues. Use white to lighten colors and create atmospheric haze.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating overly saturated colors that lack subtlety.
  • →Failing to establish a clear sense of depth and atmosphere.
  • →Making the brushstrokes too uniform and lacking variety.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider pre-toning the canvas with a thin wash of burnt umber for a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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