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home·artworks·High Sea
High Sea by Edward E. Simmons

plate no. 3401

High Sea

Edward E. Simmons, 1895

oilRealismmarinaseawaveswaterskyrocksocean
some experience helpful

Recreating this painting will help students develop skills in depicting dynamic water movement and creating atmospheric perspective through color and value variations. It also provides practice in using broken color and visible brushstrokes to build texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, major wave formations, and rock outlines.

  2. step 02

    Establish the sky with a thin wash of muted blues and grays.

  3. step 03

    Block in the dark areas of the waves and rocks using dark blues, browns, and greens.

  4. step 04

    Begin layering lighter values onto the waves, using a mix of white, yellow ochre, and pale blues to suggest foam and highlights.

  5. step 05

    Use short, broken brushstrokes to create the texture of the water and the movement of the waves.

  6. step 06

    Add details to the rocks, using dry brush techniques to create texture and suggest shadows.

  7. step 07

    Refine the highlights and shadows on the waves, paying attention to the direction of light.

  8. step 08

    Add final touches and details to the foam and spray, using small brushes and light, feathery strokes.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · raw sienna · payne's gray

Mix blues and whites for the sky and lighter wave areas. Use yellow ochre and burnt umber to warm the whites and create variations in the foam. Payne's gray can be used to darken blues for the deeper water.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overblending, which can flatten the texture of the water.
  • →Using too much pure white, which can make the foam look unnatural.
  • →Ignoring the subtle color variations in the water and sky.
  • →Losing the sense of depth by not varying the brushstrokes and color intensity.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use good quality oil paints for best results. Pre-toned canvas can help with establishing values quickly.

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oil painting for beginners →how to learn by studying the masters →
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