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home·artworks·Het Varken Op De Leer Met Gezicht Op De Haarlemmerpoort-the Haarlemmerdijk with a Pig on a Stepladder
Het Varken Op De Leer Met Gezicht Op De Haarlemmerpoort-the Haarlemmerdijk with a Pig on a Stepladder by Michiel van Musscher

plate no. 2974

Het Varken Op De Leer Met Gezicht Op De Haarlemmerpoort-the Haarlemmerdijk with a Pig on a Stepladder

Michiel van Musscher, 1668

oilBaroquegenre paintingbuildingsfigurespigvegetablesstreet scenewheelbarrow
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details, capturing realistic skin tones, and creating depth through atmospheric perspective. It will also improve their understanding of composition and storytelling in art.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: buildings, figures, pig, and wheelbarrow.

  2. step 02

    Establish the background with a thin wash of muted blues and grays for the sky and distant buildings.

  3. step 03

    Block in the main colors of the buildings using variations of red, brown, and gray.

  4. step 04

    Paint the figures, starting with the larger shapes and gradually adding details and shadows.

  5. step 05

    Focus on the pig carcass, paying attention to the anatomical details and color variations.

  6. step 06

    Render the wheelbarrow and vegetables, capturing their textures and forms.

  7. step 07

    Add the foreground details, such as the street surface and scattered debris.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · red ochre · burnt umber · titanium white · Prussian blue

secondary · cadmium yellow · ivory black · sap green

Achieve the muted tones by mixing complementary colors and adding white or black. Use thin glazes to build up color and create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions and anatomical details.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (red ochre, burnt umber, titanium white, Prussian blue, cadmium yellow, ivory black, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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