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Heroclito by Luca Giordano

plate no. 0536

Heroclito

Luca Giordano, 1653

oilBaroqueportraitfigureglobepaperportraitbeard
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and portrait painting, focusing on rendering realistic skin tones and textures under dramatic lighting. Students will also learn to create a focal point through value contrast.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, globe, and paper.

  2. step 02

    Establish the dark background with a thin layer of dark brown or black.

  3. step 03

    Block in the main shapes of the figure and objects with mid-tone values.

  4. step 04

    Begin building up the highlights on the face, hands, globe, and paper, using lighter tones.

  5. step 05

    Refine the shadows and mid-tones, paying attention to the form and structure of the figure.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Develop the texture of the beard and hair with short, broken brushstrokes.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ivory black

Mix skin tones by blending raw sienna, burnt umber, and titanium white. Use small amounts of cadmium red to add warmth to the cheeks and lips. Darken shadows with ivory black and burnt umber.

techniques

  • ·chiaroscuro
  • ·portrait painting
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Failing to establish a strong value contrast, making the painting look dull.
  • →Getting the proportions of the face wrong.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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