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home·artworks·Heraclitus
Heraclitus by Johannes Moreelse

plate no. 4871

Heraclitus

Johannes Moreelse, 1630

oil, oakBaroqueportraitportraitfigureold manglobebeardhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and facial features with subtle value changes. It will also provide practice in creating a sense of depth and atmosphere through the use of chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the globe.

  2. step 02

    Establish the dark background using a thin wash of burnt umber and black.

  3. step 03

    Block in the main shapes of the figure and clothing with mid-tone browns and grays.

  4. step 04

    Begin to build up the skin tones, using a mix of white, yellow ochre, and a touch of red.

  5. step 05

    Add highlights to the face, hands, and hair, paying attention to the direction of the light.

  6. step 06

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  7. step 07

    Paint the globe, using muted colors and subtle variations in tone.

  8. step 08

    Add final details and adjust values as needed to create a sense of depth and realism.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · raw sienna

Mix skin tones by combining white, yellow ochre, and a touch of red. Use burnt umber and black to create dark shadows and muted browns for the clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the dark background.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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