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home·artworks·Healing of Tobit
Healing of Tobit by Matthias Stom

plate no. 9151

Healing of Tobit

Matthias Stom

oilBaroquereligious paintingfiguresangeldoginteriorreligious scenehealing
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and creating atmospheric perspective. It also provides practice in capturing nuanced expressions and conveying a narrative through composition and lighting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin developing the figures, starting with the faces and hands.

  4. step 04

    Layer and blend colors to create smooth transitions and realistic skin tones.

  5. step 05

    Pay attention to the drapery, using highlights and shadows to define the folds.

  6. step 06

    Develop the background and surrounding details, using softer edges and muted colors to create depth.

  7. step 07

    Add final details and highlights to enhance the realism and drama of the scene.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and ivory black with titanium white. Use cadmium red to create the red drapery and mix with browns to create shadows. Mix ultramarine blue with white for the angel's robe.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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