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home·artworks·Head of girl. Portrait of Z. S. Khaminova.
Head of girl. Portrait of Z. S. Khaminova. by Vasily Surikov

plate no. 1109

Head of girl. Portrait of Z. S. Khaminova.

Vasily Surikov, 1908

oilRealismportraitportraitfigureflowershairdresslandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering soft, diffused light. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, using a variety of subtle color mixtures.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the hair and flowers, using small, deliberate brushstrokes.

  6. step 06

    Develop the background, creating a sense of depth and atmosphere.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red light · ultramarine blue

secondary · yellow ochre · alizarin crimson · viridian

Achieve skin tones by mixing white, umber, and small amounts of red and yellow. Use ultramarine blue and white for the background water, adding touches of red and umber for variation.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle shifts in value and color within the skin.
  • →Getting the proportions of the face wrong.
  • →Overworking the painting, losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and blending.

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oil painting for beginners →how to learn by studying the masters →
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