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home·artworks·Head of an Old Man
Head of an Old Man by Salomon Koninck

plate no. 5226

Head of an Old Man

Salomon Koninck, 1632

oil, wood, panelBaroqueportraitportraitold manbeardhatfigurehead
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and creating depth through subtle value changes. It also offers practice in depicting textures like hair and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the proportions and placement of the head, hat, and beard.

  2. step 02

    Establish the background with a dark, neutral tone, gradually building up the shadows.

  3. step 03

    Block in the main areas of the face, hat, and beard with basic color mixtures.

  4. step 04

    Start building up the values in the face, paying close attention to the light and shadow patterns.

  5. step 05

    Develop the details of the eyes, nose, and mouth, using small brushes and subtle color variations.

  6. step 06

    Work on the beard, using a combination of dry brush and layering techniques to create texture and volume.

  7. step 07

    Refine the details of the hat, adding highlights and shadows to create a sense of form.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · ivory black · raw sienna

Achieve skin tones by mixing white with small amounts of umber, ochre, and sienna. Use black to darken shadows, and white to create highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the overall likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A toned canvas can help establish the dark background more easily.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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