
plate no. 4611
Pellizza da Volpedo, 1890
Recreating this painting will help students understand how to build form with visible brushstrokes and how to mix realistic skin tones using a limited palette. It also provides practice in capturing likeness and expression.
technical profile
approach — 8 steps
Create a light sketch outlining the basic shapes and proportions of the head and shoulders.
Establish the background color with a thin wash of burnt umber and raw sienna.
Block in the main areas of light and shadow on the face using a mid-tone mixture of raw sienna, white, and a touch of red.
Refine the skin tones by adding highlights with white and yellow ochre, and shadows with burnt umber and alizarin crimson.
Pay close attention to the planes of the face and use directional brushstrokes to define form.
Paint the dark clothing with a mixture of black and burnt umber, using thicker paint and bolder strokes.
Add details to the collar and hair, using small brushes and careful observation.
Glaze the painting with thin layers of color to unify the tones and add depth.
color palette
primary · burnt umber · raw sienna · titanium white · ivory black
secondary · alizarin crimson · yellow ochre
Skin tones are achieved by mixing raw sienna, burnt umber, white, and small amounts of alizarin crimson for warmth. Darker areas use more burnt umber and crimson, while highlights use more white and yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth texture for easier blending. Consider using a medium to speed up drying time.
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