
plate no. 6986
Recreating this painting will help students develop skills in chiaroscuro and portraiture, focusing on rendering realistic skin tones and textures with a limited palette. Students will also learn to create depth and drama through careful value control.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the proportions of the head, shoulders, and hand.
Establish the darkest and lightest areas of the painting with thin washes of burnt umber and white.
Block in the mid-tones, gradually building up the form of the face, beard, and clothing.
Begin refining the details of the face, paying close attention to the highlights and shadows.
Add texture to the hair and beard using short, broken brushstrokes.
Refine the details of the hand, paying attention to the wrinkles and bone structure.
Glaze the painting with thin layers of color to unify the composition and add depth.
Add final highlights and shadows to create a sense of realism.
color palette
primary · burnt umber · titanium white · raw sienna
secondary · cadmium red light · ivory black
Mix various shades of brown and gray by combining burnt umber, raw sienna, and white. Use small amounts of cadmium red to warm the skin tones and ivory black to cool the shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the initial values.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne