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home·artworks·Head of an old Man
Head of an old Man by Guercino

plate no. 6986

Head of an old Man

Guercino

oilBaroqueportraitportraitfiguremanbeardhairclothing
some experience helpful

Recreating this painting will help students develop skills in chiaroscuro and portraiture, focusing on rendering realistic skin tones and textures with a limited palette. Students will also learn to create depth and drama through careful value control.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the head, shoulders, and hand.

  2. step 02

    Establish the darkest and lightest areas of the painting with thin washes of burnt umber and white.

  3. step 03

    Block in the mid-tones, gradually building up the form of the face, beard, and clothing.

  4. step 04

    Begin refining the details of the face, paying close attention to the highlights and shadows.

  5. step 05

    Add texture to the hair and beard using short, broken brushstrokes.

  6. step 06

    Refine the details of the hand, paying attention to the wrinkles and bone structure.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and add depth.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · burnt umber · titanium white · raw sienna

secondary · cadmium red light · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, and white. Use small amounts of cadmium red to warm the skin tones and ivory black to cool the shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Over-blending, which can flatten the form.
  • →Not establishing a strong value structure early on.
  • →Getting lost in details before establishing the overall form.
  • →Using too much color, which can detract from the dramatic effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A toned canvas can be helpful for establishing the initial values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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