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home·artworks·Head of a Young Man
Head of a Young Man by Mary Beale

plate no. 4512

Head of a Young Man

Mary Beale

oil, canvasBaroqueportraitportraitfiguremanhairclothinghead
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in creating soft, diffused lighting and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the head and shoulders, paying attention to proportions and angles.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Begin layering in the mid-tones and shadows, focusing on the planes of the face.

  4. step 04

    Add highlights to the face, hair, and clothing, using lighter values of the base colors.

  5. step 05

    Refine the details of the eyes, nose, and mouth, using smaller brushes.

  6. step 06

    Soften the edges of the forms with blending techniques.

  7. step 07

    Add final details and adjustments to the overall composition.

  8. step 08

    Glaze with thin layers of color to unify the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Mix skin tones using varying ratios of burnt sienna, raw umber, and titanium white. Add small amounts of yellow ochre or cadmium red for warmth. Use ivory black to deepen shadows.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Using too much paint and losing the subtle variations in tone.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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