apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Head of a Farm Girl
Head of a Farm Girl by Wilhelm Leibl

plate no. 7918

Head of a Farm Girl

Wilhelm Leibl, 1879

oil, panelRealismportraitportraitfigureheadscarfclothingfacejewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color mixing for skin tones. It also offers practice in rendering fabric and simple jewelry.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and headscarf.

  2. step 02

    Establish the background color with a thin wash of dark reddish-brown.

  3. step 03

    Block in the main areas of the face, headscarf, and clothing with simplified color masses.

  4. step 04

    Begin refining the skin tones, paying close attention to subtle shifts in color and value.

  5. step 05

    Develop the details of the eyes, nose, and mouth, focusing on accurate shapes and highlights.

  6. step 06

    Add details to the headscarf, including folds and highlights.

  7. step 07

    Render the clothing, paying attention to the way light falls on the fabric.

  8. step 08

    Add the jewelry details and refine the overall composition.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue or umber for shadows. The background is a mix of umber and red. The headscarf is primarily umber with subtle variations.

techniques

  • ·portrait sketching
  • ·color mixing for skin tones
  • ·blending
  • ·glazing
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face
  • →Overly saturated skin tones
  • →Ignoring subtle color variations
  • →Lack of blending between color transitions

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy