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Head of a Dog by Edouard Manet

plate no. 8367

Head of a Dog

Edouard Manet, 1876

oil, canvasRealismanimal paintingdogportraitanimalfurhead
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and capturing form with value and color rather than precise lines. It also provides practice in creating a sense of depth and texture with limited color variations.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shape and proportions of the dog's head.

  2. step 02

    Block in the background with dark browns and blacks, leaving space for the dog's form.

  3. step 03

    Establish the main areas of light and shadow on the dog's fur using mid-tone browns and tans.

  4. step 04

    Begin adding highlights with lighter tans and creams, focusing on the top of the head and around the eyes.

  5. step 05

    Use short, broken brushstrokes to suggest the texture of the fur, varying the direction and pressure of your strokes.

  6. step 06

    Define the features of the face, such as the eyes, nose, and mouth, with darker browns and blacks.

  7. step 07

    Add final highlights and details to create a sense of depth and realism.

  8. step 08

    Refine the edges of the dog's head to blend it with the background.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · cadmium yellow hue · alizarin crimson

Mix browns by combining burnt umber and raw sienna. Lighten these with titanium white. Use small amounts of cadmium yellow or alizarin crimson to warm up the browns.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima
  • ·value study

common pitfalls

  • →Overworking the fur and losing the loose, expressive quality of the brushstrokes.
  • →Creating too much contrast and making the painting look harsh.
  • →Not paying attention to the direction of the fur and creating a flat, lifeless texture.
  • →Getting bogged down in details too early, before establishing the overall form and value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a smooth surface to allow for easy blending. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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